Garden of Stone and Light (1992)
By Ann Struthers
Crowds of students must separate around
this high school jock’s dream of phallic symbol,
pillar of stone that screams domination,
rocket-shaped in a hall dedicated
to mathematics, where trajectories
are planned, programs written for missile paths
that may blow up villages, hurl children
like ragged dolls through exploding houses.
When Freud thought he found penis envy in
Vienna, he disguised the male myth
of superiority in slick pseudo-
scientific jargon.
What woman would
covet the decoration which in art
is green-veined marble, but in real life looks
like a naked turkey neck? I am sick
to death of solipsisms of old men,
sick of the society made by math,
that plots azimuth of murder, washes
the hands of mathematician, far
removed from the little girl running down
the jungle path, aflame with napalm.
Oh, science, how can I believe you when
I see her mouth burned away to a black hole?
The world of power uses computers
as pimps and whores. Real power resides in
goodness, which cannot be measured, graphed, or
recorded. It never shakes seismographs,
never lights up telescopes, or appears
in predictable curves of anything.
Here in the Durham Computation Center
numbers are not gods, neither archaic
Roman numerals nor subtle Arabic
whorls. Logic is a dissembler. Pascal
worked out the formuli for finding a
cylinder’s surface dimensions, trying
to forget his toothache. Controlled family’s
money; refused to pay a dowry fee
to the convent where his sister yearned to
profess here vows. She spent years scrubbing the
scully, a lay sister. Psychology
which claims “to explain everything, explains
nothing.”
Nothing is neutral when in use,
even the lotus, floating like Budda
across the abacus, umbilical
cord adrift through muddy pond that is both
and neither time and space. Mathematic
tradition is not rock but sea; deep in
the waters of faith Euclid swims, his arms
metronomes for his backstroke. Computers,
must be turned toward building the better
city, must abjure power, the other
face of genocide.
The force of peace is
mostly untried. Above this massive stone
hangs two canvases, intensifying,
repeating the same colors, except each
displays a window of sky, small spaces
brushed with horse tail clouds, cirrus, promising
three days from now rains will fall like blessings.